Posts Tagged ‘Canon’

20100105_hiRes_ef70-200mmf28lisii_3q

With the new year, Canon has released a new professional “L” zoom lens, the Canon EF 70-200mm f/2.8L IS II USM. This is a very popular lens among sports, journalist, and wedding photographers for many reasons. I currently own the Version I of this lens and love it. Nikon released their Version II follow-up to their 70-200mm with a few new improvements including a 4-stop VR and better optics. The reviews I’ve seen have been very positive.

So what is Canon offering in their latest 70-200mm? Here’s a simple comparison chart:

SLR Lens Canon EF 70-200mm f/2.8L IS II USM Canon EF 70-200mm f/2.8L IS USM Winner
Year Introduced October 20, 2009 September 2001 Mark II
Cost $1,849 TBD -
Image Stabilization Yes, 4 stops (3th generation) Yes, 3 stops (2nd generation) Mark II
Weight 1,490g (3.3lbs) 1,470g (3.2lbs) -
Max Diameter 89mm (3.5in) 86mm (3.4in) -
Length 197mm (7.8in) 197mm (7.8 -
Groups/Elements 19/23, 1 fluorite and 5 UD elements 18/23, 5 UD elements Mark II
Minimum Focusing Distance 1.2m (3.9ft) 1.4m (4.6ft) Mark II
Filter 77mm 77mm -

Clearly Canon has made some very nice changes such as an extra-IS stop (4 vs. 3), the addition of the fluorite element will make this lens as sharp as its little brother the f/4-version, and the minimum focusing distance has been reduced by 8 inches. I’m a bit shocked as I was expecting Canon to incorporate their new Hybrid IS system or at least the 4-generation IS system that is used on the Canon EF 200mm f/2L IS USM lens (5-stop IS!).

I see a lot of nice features, but nothing ground breaking enough that I would upgrade to. If you are in the market for a professional 70-200mm, I would definitely recommend holding out until April and getting the Mark II version. Otherwise, the Mark I version should drop some in price and become a great alternative.

You can also read Canon’s press release here.

Canon Speedlite Transmitter ST-E2

© Coal Miki. Found on Flickr.com.

The Canon Speedlite Transmitter ST-E2 is a portable infrared wireless transmitter designed to wirelessly trigger Canon Speedlites. For the most part, it does that well. But unfortunately, there some severe limitations that makes it a waste of money. If you’re in the market to purchase a ST-E2, wait and read this post first before making your purchase, you won’t regret it.

For the photographers, this video will give you a great laugh! Joey Lawrence (or JoeyL) is the 19-year old photographer wonder-kid who did the Twilight movie posters. You can read his interview with David Hobby (Strobist) here and the MTV interview here.

But check out this hilarious video he made:

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For anyone who is looking to purchase Canon lenses, there are a number of rebates available from October 22, 2009 to January 10, 2010. Remember that rebates are only good at authorized Canon dealers such as B&H Photo Video and Amazon to just name a few.

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Joe McNally and Richard Bui
I, along with seven hundred other people, had an amazing opportunity to meet and learn from world renowned photographer and lighting extraordinaire: Joe McNally. In the world of photography, he is considered by many to be a trailblazer and trendsetter in the area of off-camera lighting and portraits. Having owned both of his books: The Moment It Clicks and The Hot Shoe Diaries (got my personal copy signed by him), when I saw he would be teaching an all day workshop on lighting (Location Lighting Techniques Tour) here in the Bay Area, I jumped on it immediately.

One of the biggest discussions in selecting lenses, is usually which one to get. The choices are generally govern by your budget, your goals, need, and in some cases: want. For the most part, the choice is simple, if you shoot in low-light conditions (weddings, ceremonies, events) or need to freeze action (sports), you need fast aperture lenses for faster shutter speeds and then you need to decide on versatility (zoom lenses) or fastest possible glass (prime lenses). An over-simplification for the most part, but the point remains.

In exciting photography news, Nikon has released their high resolution professional dSLR, the D3x after months of speculation and following “a leak” (you can also read a D3x and 1Ds Mark III comparison with that same link). This new Nikon competes with Canon’s EOS 1Ds Mark III and Sony’s Alpha A900.

Some notable features of the D3x are: 24.5 megapixel FX-format CMOS sensor with the 51-point auto focus system (same auto focus as the D300, D700, and D3), ISO sensitivity of 100 to 1600 with 50, 3200, and 6400 as options, new EXPEED image processor, and 5 fps in FX-format and 7 fps in DX-format. Most other features remain the same as the D3 such as the 3.0 inch 922,000 pixel LCD and the body design.

Nikon’s MSRP is $7,999, the price of the Canon EOS 1Ds Mark III when released. A lot of people, including myself, was hoping Nikon would price the D3x at a much lower price point such as ~$5,000 because $8,000 is a bit high for a 35mm dSLR. When the D3x actually ships, hopefully the price will come down as the Canon EOS 1Ds Mark III can be had for ~$5,000 or less now (used). One thing that I’ve always liked about Nikon dSLRs is the high-speed crop mode. The D3x is capable of 5 frames-per-second (considering that it is moving A LOT of data, that is very impressive) in the full-frame FX-format, but when you need faster frame rates, you can activate a high-speed crop mode which allows you to go to 7 frames-per-second at a reduced resolution of 10 megapixels. This is also a similar feature of the D3, 9 frames-per-second in FX-format and 11 frames-per-second but with only 6 megapixel.

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