Posts Tagged ‘Canon EF 70-200mm f/2.8L IS USM’

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With the new year, Canon has released a new professional “L” zoom lens, the Canon EF 70-200mm f/2.8L IS II USM. This is a very popular lens among sports, journalist, and wedding photographers for many reasons. I currently own the Version I of this lens and love it. Nikon released their Version II follow-up to their 70-200mm with a few new improvements including a 4-stop VR and better optics. The reviews I’ve seen have been very positive.

So what is Canon offering in their latest 70-200mm? Here’s a simple comparison chart:

SLR Lens Canon EF 70-200mm f/2.8L IS II USM Canon EF 70-200mm f/2.8L IS USM Winner
Year Introduced October 20, 2009 September 2001 Mark II
Cost $1,849 TBD -
Image Stabilization Yes, 4 stops (3th generation) Yes, 3 stops (2nd generation) Mark II
Weight 1,490g (3.3lbs) 1,470g (3.2lbs) -
Max Diameter 89mm (3.5in) 86mm (3.4in) -
Length 197mm (7.8in) 197mm (7.8 -
Groups/Elements 19/23, 1 fluorite and 5 UD elements 18/23, 5 UD elements Mark II
Minimum Focusing Distance 1.2m (3.9ft) 1.4m (4.6ft) Mark II
Filter 77mm 77mm -

Clearly Canon has made some very nice changes such as an extra-IS stop (4 vs. 3), the addition of the fluorite element will make this lens as sharp as its little brother the f/4-version, and the minimum focusing distance has been reduced by 8 inches. I’m a bit shocked as I was expecting Canon to incorporate their new Hybrid IS system or at least the 4-generation IS system that is used on the Canon EF 200mm f/2L IS USM lens (5-stop IS!).

I see a lot of nice features, but nothing ground breaking enough that I would upgrade to. If you are in the market for a professional 70-200mm, I would definitely recommend holding out until April and getting the Mark II version. Otherwise, the Mark I version should drop some in price and become a great alternative.

You can also read Canon’s press release here.

This past Saturday, the crew got together and did two photo shoots with two amazing models, Jane and Stacey, on Treasure Island. Some of you might recognize Jane, as she was a contestant for Miss Asian American (MAA), winning Miss Photogenic for the 2009 MAA. Stacey on the other hand, has a ballet background that we most definitely will be putting to use in the next photo shoot with her.  Treasure Island, named after Robert Louis Stevenson’s novel of the same name, is an artificial island in California that sits in the Bay between San Francisco and Oakland accessed via the Interstate 80 freeway. It is home to some 1,453 residents, and is a popular tourist attraction as you can see sea lions on the shoreline and also get a very nice view of San Francisco along with the Golden Gate Bridge and Bay Bridge (Interstate 80).

There are many condemned and decrepit buildings with warning signs of asbestos strewn upon boarded up doors and broken windows making for an urban explorer’s wet dream and, in our case, a great site for urban portraits.

Nothing escapes my field of view! Photo courtesy of David Head. Thanks!

Nothing escapes my field of view! Photo courtesy of David Head. Thanks!

I attended this year’s Annual World Wide Photo Walk organized by Scott Kelby and the many Photo Walk Leaders in over 900 cities around the world with some 30,000 participants. For those who aren’t sure what a photo walk is, it is generally where a person travels around (on foot) a specific location(s) photographing anything and everything that inspires them. There is usually no set purpose of what to photograph, but rather to let inspiration and creativity inspire. I attended the San Francisco Photo Walk led by Lenny Lind. Pics inside.

Canon was kind enough to loan me their latest top-of-the-line professional 1D model, the Canon EOS 1Ds Mark III. After using it for nearly two weeks, 3 events, 12 photo shoots, and 3 lenses, and having shot some couple thousand frames, I can safely formulate an opinion on what works, what doesn’t, and is it worth it. click to read more.

One of the biggest discussions in selecting lenses, is usually which one to get. The choices are generally govern by your budget, your goals, need, and in some cases: want. For the most part, the choice is simple, if you shoot in low-light conditions (weddings, ceremonies, events) or need to freeze action (sports), you need fast aperture lenses for faster shutter speeds and then you need to decide on versatility (zoom lenses) or fastest possible glass (prime lenses). An over-simplification for the most part, but the point remains.