Archive for the ‘Product Review’ Category

In a not too shocking announcement, Nikon has announced two new lenses to be added to their line-up of FX-compatible lenses. The Nikkor AF-S 24mm f/1.4G ED prime lens is will surely become a favorite among wedding photographers and other low-light photographers. This lens will now finally offer Nikon photographers a fast, wide-angle, and affordable prime compared to the much fabled Nikkor AF 28mm f/1.4D, at a fraction of the price. Canon has longed had a 24mm f/1.4 (now a version II) in their line-up. This lens, with it’s 9-blade diaphragm, will no doubt be a great performer as the Nikkor AF-S 24-70mm f/2.8G ED already is. The estimated cost will be around $2,199.95 and won’t be available until late March 2010.

On the other spectrum, Nikon has released a more *affordable* wide-angle zoom, also for FX-format, and billed as a “general photography” lens, the Nikkor AF-S 16-35mm f/4G ED VR will offer some nice wide-angle and zoom in a lighter package than the current Nikkor 17-35mm f/2.8D IF-ED and the Nikkor AF-S 14-24mm f/2.8G ED. Personally I favor fast lenses, but having Vibration Reduction/Image Stabilization is quite nice for this lens and will aid in hand-holding slower shutter speeds, but VR/IS will not stop action. This lens will retail for $1,259.95 and be available in late February 2010.

Both lenses are professional grade quality and will stand-up to repeated rugged use. You can read Nikon’s full press-release here (PDF). You can also find more details at DPReview.com for the 24mm and the 16-35mm, respectively.

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With the new year, Canon has released a new professional “L” zoom lens, the Canon EF 70-200mm f/2.8L IS II USM. This is a very popular lens among sports, journalist, and wedding photographers for many reasons. I currently own the Version I of this lens and love it. Nikon released their Version II follow-up to their 70-200mm with a few new improvements including a 4-stop VR and better optics. The reviews I’ve seen have been very positive.

So what is Canon offering in their latest 70-200mm? Here’s a simple comparison chart:

SLR Lens Canon EF 70-200mm f/2.8L IS II USM Canon EF 70-200mm f/2.8L IS USM Winner
Year Introduced October 20, 2009 September 2001 Mark II
Cost $1,849 TBD -
Image Stabilization Yes, 4 stops (3th generation) Yes, 3 stops (2nd generation) Mark II
Weight 1,490g (3.3lbs) 1,470g (3.2lbs) -
Max Diameter 89mm (3.5in) 86mm (3.4in) -
Length 197mm (7.8in) 197mm (7.8 -
Groups/Elements 19/23, 1 fluorite and 5 UD elements 18/23, 5 UD elements Mark II
Minimum Focusing Distance 1.2m (3.9ft) 1.4m (4.6ft) Mark II
Filter 77mm 77mm -

Clearly Canon has made some very nice changes such as an extra-IS stop (4 vs. 3), the addition of the fluorite element will make this lens as sharp as its little brother the f/4-version, and the minimum focusing distance has been reduced by 8 inches. I’m a bit shocked as I was expecting Canon to incorporate their new Hybrid IS system or at least the 4-generation IS system that is used on the Canon EF 200mm f/2L IS USM lens (5-stop IS!).

I see a lot of nice features, but nothing ground breaking enough that I would upgrade to. If you are in the market for a professional 70-200mm, I would definitely recommend holding out until April and getting the Mark II version. Otherwise, the Mark I version should drop some in price and become a great alternative.

You can also read Canon’s press release here.

Canon Speedlite Transmitter ST-E2

© Coal Miki. Found on Flickr.com.

The Canon Speedlite Transmitter ST-E2 is a portable infrared wireless transmitter designed to wirelessly trigger Canon Speedlites. For the most part, it does that well. But unfortunately, there some severe limitations that makes it a waste of money. If you’re in the market to purchase a ST-E2, wait and read this post first before making your purchase, you won’t regret it.

Canon has finally pulled the covers on the long awaited Canon EOS 1D Mark IV, but the question is on all our minds: will it deliver and deliver exceptionally good?

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The Canon EOS 1D/1Ds Mark III dSLRs have been what the Vista operating system has been to Microsoft: plagued by problems and bad press. So rather than releasing a 1D Mark IIIn (essentially a mid-year update), Canon has released, what many of us Canon photographers hope, is our saving bliss: a brand new model.

Nikon, not content to just sit on it laurels, has released a highly anticipated follow-up to their hugely successfully and game changing professional digital SLR, the Nikon D3, with the Nikon D3s, a faster newer and higher ISO capable digital SLR and the first professional digital SLR with video.

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I’m a huge fan of Think Tank Photo’s wonderful camera bags; currently owning three. I think two of the most appealing things about Think Tank Photo are: 1) their bags are made and designed by photographers and 2) the bags are very functional and look great. The latest bag I picked up is the Think Tank Photo Glass Taxi Backpack, a great portable backpack that is easy to use, light, and carries just enough equipment.

Joe McNally and Richard Bui
I, along with seven hundred other people, had an amazing opportunity to meet and learn from world renowned photographer and lighting extraordinaire: Joe McNally. In the world of photography, he is considered by many to be a trailblazer and trendsetter in the area of off-camera lighting and portraits. Having owned both of his books: The Moment It Clicks and The Hot Shoe Diaries (got my personal copy signed by him), when I saw he would be teaching an all day workshop on lighting (Location Lighting Techniques Tour) here in the Bay Area, I jumped on it immediately.

coveritallco_logo2Brand recognition is perhaps one of the most important aspects to business success. Sure, it’s important to have a product or service that people want, but if you can’t get people to understand your brand, your competitor has no problems explaining to them their brand.

Photography is just like any other service based business. The brand recognition is the style of images each photographer or photography studio has. Take for example, photographer Dave Hill and his unmistakable style of photography. When you see one of his images, you know it’s him. It’s the same thing as other photographers such as Ansel Adams, Chase Jarvis, and so forth. But just having a style of photography isn’t always enough for your potential clients to remember you, you need something more. This is where the amazing husband-and-wife team of COVERITALLCO comes in.

Canon was kind enough to loan me their latest top-of-the-line professional 1D model, the Canon EOS 1Ds Mark III. After using it for nearly two weeks, 3 events, 12 photo shoots, and 3 lenses, and having shot some couple thousand frames, I can safely formulate an opinion on what works, what doesn’t, and is it worth it. click to read more.

One of my favorite photography tools isn’t a lens or even a camera, it’s a light meter. People thought the light meter was a thing of the past with auto exposure and the advent of digital photography, but that can’t be farther from the truth. Despite all the advances by Canon, Nikon and the other major photography brands, there are still a number of situations where the auto exposure meter of the camera is off, sometimes completely.