Nikon D3100 and new Nikkor Lenses – Buyer’s Guide

Nikon D3100

The Nikon D3100 is Nikon’s latest offering to the consumer entry-level line and successor to the Nikon D3000. What’s particular exciting about this camera is that this is Nikon’s first full HD dSLR. Previous Nikon dSLRs including the professional D3s only do 720p so this is particularly exciting for those who use Nikon and like to do video with their dSLR. There’s also a nice little bump in resolution from 10.2 MP to 14.2 MP, which isn’t necessarily a good thing. A very simplified explanation, when more pixels are packed tightly together on the same size sensor, each pixel’s light gathering capability is diminished because the pixel size has to be reduced to fit more pixels on the sensor. That’s why the Nikon D3s (12 MP on a full-frame sensor) has such incredible low-light capability. Other added features is one more stop in the ISO range (12,800 versus 3200), Live View, a faster processor (EXPEED 2), and a HDMI port. MSRP price for the Nikon D3100 with 18-55 kit lens is $699.95 and available for pre-order at B&H here.

Our Recommendation: If you’re looking for an affordable, feature rich, easy to carry around camera for family vacations, day trips, photographing your children/family/friends/significant other, then we certainly recommend this camera for you.  The Nikon D3100′s small size and ability to use some 100+ Nikkor lenses make this a killer choice. With 1080p HD video, you can capture important memories such as your child’s first step or record a heart-felt message for your boyfriend/girlfriend to share on Facebook.

Nikon Nikkor AF-S 85mm f/1.4G

For professional photographers and serious amateurs who use Nikon, this is probably the most important announcement of the four lenses. Many Nikon photographers have been waiting for a much needed update to the Nikon AF 85mm f/1.4D and it has finally arrived. The new Nikon AF-S 85mm f/1.4G now has AF-S for faster focusing, loses the aperture ring, features the Nano Crystal Coat (eliminates lens reflection, ghosting, and flares), and has full-time manual focus. Like the previous 85mm f/1.4D, the 85mm f/1.4G also has a 9-blade diaphragm meaning that you can get nice circular bokeh as well as nice pretty sun-stars. This lens will work great on FX or DX Nikon bodies. The Nikon 85mm f/1.4G will be available on September 2, 2010 with a MSRP of $1,649.99.

Our Recommendation: If you don’t already have a 85mm, you definitely need one. The 85mm is a great focal length for portraits and well as limited telephoto shots. Also having fast glass means you can shoot in lower-light situations or you can isolate your subject from the background easily. A definite must buy in our book. If you already own the 85mm f/1.4D, you might find that you’re hard-pressed to upgrade given the cost, but the increase in focusing speed will certainly make up for the cost. If you’re just an amateur photographer, we recommend skipping this lens and getting the more affordable Nikon AF 85mm f/1.8D and save yourself ~$1,000+. The 85mm f/1.8D is definitely no slouch and will be more than plenty for many folks.

Nikon Nikkor AF-S 24-120mm f/4G ED VR

One of types of lenses that Nikon has been lacking are pro-sumer/professional carry-around lenses. Canon has long offered a secondary professional line that combines the build quality and optics of the L lenses, but in a lighter and more portable package such as the 17-40mm f/4L, 24-105mm f/4L IS, and 70-200mm f/4L IS. Nikon has upped the ante and have started introducing this same line, first seen with the 16-35mm f/4 VR and now the 24-120mm f/4 VR; this is not to be confused with the consumer grade Nikon AF-S 24-120mm f/3.5-5.6ED-IF VR that was not very highly rated. This 24-120mm is all pro with Nikon’s latest 4-stop image stabilization and constant aperture of f/4 throughout the zoom range and works great on full-frame (FX) or crop-frames (DX). MSRP is $1,299.95.

Our Recommendation: If you’re type of photography doesn’t require photographing in low-light situations, save yourself the money and weight by buying this lens. In comparison to the Nikon AF-S 24-70mm f/2.8G ED, this lens only weighs 25 oz versus 31.75 oz, that’s quite a noticeable difference. So if you’re looking for a light-weight professional lens with wide-angle and reach, this is the lens for you. I can certainly see this lens being used in the studio where studio strobes are being used, on vacations, photoshoots outdoors with decent-to-plenty of light, and as a general carry-around lens. This lens will certainly become very popular and we recommend you pre-ordering one now or else you’ll be waiting a long time for it.

Nikon Nikkor AF-S 55-300mm f/4-5.6G ED VR DX

Not to leave the photographers who use DX bodies out in the cold, Nikon has released a new DX-only lens, the AF-S 55-300 f/4-5.6G ED VR DX. This lens also uses Nikon’s latest generation VR, 4-stop image stabilization. Weighing only 18.7 oz, this lens is light but has a lot of reach making this an ideal lens for traveling. At 55mm, you’ll still be able to do shots of couples and groups (provided you can stand back far enough) and with a reach of 300mm, you’ll be able to get some nice tight crops of landscapes and scenics. MSRP for this lens is $399.95 and available for pre-order on B&H here.

Our Recommendation: While this lens has a lot of nice range, it’s biggest draw back is the slower aperture meaning you’ll need more light to avoid getting blurry pictures. The good news is that many new Nikon bodies can go into the higher ISO range which means you can increase your ISO to get more light sensitivity to compensate for the slower aperture at the cost of noise. If you do a lot of traveling and looking for a single lens that will let you shoot far, this would be it. This lens will also work great for out-door well lit portraits. Otherwise, skip this lens. If you try to use this lens for, say, trying to capturing you son or daughter’s basketball game, you won’t be very happy with the performance.

Nikon Nikkor AF-S 28-300mm f/3.5-5.6G ED VR

Have a Nikon D700 or even a D3s and looking for a single lens solution for daily carry around, then this lens, the Nikon AF-S 28-300mm f/3.5-5.6G ED VR might be for you. With it’s incredibly 11x zoom ratio, you can photograph groups and wide mountains and zoom into a bird in flight. What makes this lens stand-out from say the Nikon AF-S 18-200mm f/3.5-5.6G is that this lens can be used on a full-frame camera whereas the 18-200mm is limited to DX bodies. This lens will work great for many purposes. Going on a day-trip and not quite sure what you want to shoot, grab this lens. Going trail hiking, grab this lens. Spend the day in San Francisco with your boyfriend/girlfriend/family, this is the lens. Vacationing? You can’t go wrong with this lens either. The only thing this lens won’t do well at is low-light shooting with fast moving subjects/objects.

Our Recommendation: I’m personally not a big fan of “super-zoom” lenses because you sacrifice a lot. For a “super-zoom” lens like this, you lose image quality, deal with higher distortion, slower aperture, and it also makes you a lazier photographer. That’s right, a lens like this will diminish the artistic quality of your images because instead of training your brain to look for different perspectives, you can just zoom into your subject or object. But if you’re looking for a “snap-shot” lens, a lens that you can just take pictures with, here it is. For only $1,049.95, you can’t beat the range you get. If I had a D700 or D3s, I guarantee you, it will never see this lens. Cameras of that professional quality would benefit from a better lens like the Nikon 24-120mm (above) and that is the lens I would recommend for you to get instead of this one. Photographer Bob Krist seems to like this lens. Read his review here.

Bui Photography is a group of professional lifestyle wedding photographers in the San Francisco & Bay Area who create compelling, artistic and timeless wedding photos for brides and groom. Let’s meet for some coffee and let us show you the beautiful photos we can create on your wedding day. Also be sure to check-out our Facebook page for specials and upcoming events. You can also find the latest on our Twitter page and definitely follow our RSS feed to see our latest photoshoots.

Pro Photo Symposium Expo 2010 Recap

This past weekend Eric Lee, Rendy Lai, and I were joined by Jinggoy Montenejo and Colson Griffith at the Pro Photo Expo 2010, an event by Professional Photographers of California (PPC). As professional wedding photographers, it’s important to keep learning about where the industry is heading as well as new product and feature offerings. So when the 2010 Pro Photo Expo was announced, we were quick to register.

Being a huge fan of Bambi Cantrell, I was definitely excited to see that she was going to be speaking on Friday from 7 PM to 10 PM. Bambi is one of the giants in our wedding photography industry with over two-decades of experience; if you can last that long and remain significant in this industry, you must be doing something amazing. So Eric Lee, Jinggoy Montenejo, and I attended “Cantrell Couture Weddings” and for the next three-hours we were mesmerized. For those who have never met Bambi Cantrell, she’s a blast to listen to speak. Her Georgia accent and Southern charm is both entertaining and lively. She spoke at length about her beginnings moving from Georgia to the Bay Area, the first time she had to get a job, to assisting Don Gearheart. She had many anecdotes about photographing weddings, offered many suggestions, tips, and answered many audience questions. It was well worth the time. We even had a surprise guest, Canon Explorer of Light and wedding photographer Hanson Fong showed up near the end. He had done an early workshop, “Safari With The Masters” at the Palace of Fine Arts.

The next morning we attend an early workshop at 7:30 AM, John Teague’s “Seeing The Light”. I found it not to be as useful as I had hoped. The discussion was mainly centered around studio lighting, Inverse Square Law, and different lighting techniques. I’m sure other attendees might have found this interesting.

The last talk we attended was Canon Explorer of Light and commercial photographer Jim DiVitale‘s “The Complete Digital Process”, a very worthwhile talk to watch. I had vaguely heard Jim DiVitale’s name before this show, but haven’t really seen his work until now and I’m definitely impressed. He does some amazing things with Adobe Photoshop. He spoke at length about this digital workflow, his love for art, as well as various other topics including Photoshop, NAPP (National Association of Photoshop Professionals), and so on. He’s certainly a very lively speaker talking at like 100 words per minute, but he was interesting to see and hear.

Canon Explorer of Light and commercial photographer Jim DiVitale

Canon Explorer of Light and commercial photographer Jim DiVitale

Canon Explorer of Light and commercial photographer Jim DiVitale

The rest of the time we spent at Pro Photo Expo 2010 was in the dealer hall checking out the latest new products and services from Nik, Wacom, BorrowLenses.com, Bay Photo Lab (our favorite lab), and etc. Great event overall and we’re definitely looking forward to Pro Photo Expo 2011! You can see the rest of my photos in our Events gallery here.

Bui Photography is a group of professional lifestyle wedding photographers in the San Francisco & Bay Area who create compelling, artistic and timeless wedding photos for brides and groom. Let’s meet for some coffee and let us show you the beautiful photos we can create on your wedding day. Also be sure to check-out our Facebook page for specials and upcoming events. You can also find the latest on our Twitter page and definitely follow our RSS feed to see our latest photoshoots.

Wong Family Portraits at Montalvo Arts Center | Saratoga Wedding Photographer

With affluent homes and a small town feel, Saratoga is a gorgeous place for weddings or family portraits.  The original plan was to do the Wong Family’s family portraits in San Francisco, but a last-minute change resulted in another beautiful place: the Montalvo Arts Center, a popular wedding venue. And with such a beautiful backdrop and location at the Montalvo Arts Center, we can’t wait to photograph a wedding here!

On the day of the Wong Family portraits, a wedding was setting up to take place, so we couldn’t photograph around the actual Montalvo building as we had hoped, but fortunately the large grass field in the front with surrounding walkways and the nicely tendered gardens (you’d be surprised how many gardens aren’t) provided plenty of usable backdrops for our family portraits. We spent a good solid two hours photographing the Wongs at various places around Montalvo. While it was quite warm by Bay Area standards (77° F), that didn’t stop us from having fun with the entire Wong Family. A beautiful Sunday well spent with a beautiful and fun-loving family! Also congratulations to Cal and Tina who was just engaged last week in Las Vegas!

A special thanks to Eric Lee for providing valuable lighting help and shoot advice. Here are some of the photos from Sunday:

We approach family portraits just like our wedding portraits: be daring and be different. That’s our approach and our style. If you and your family are interested in family portraits by Bui Photography, please contact us and let us see what we can do for you.

And because I’m constantly getting asked technical questions and thought processes regarding photoshoots we do, I’ve decided to incorporate them into our blog posts for those who are interested. Photographing large groups are always challenging, especially family portraits because occasionally you’ll get ones where there are generations of family (parents and their children and then their children’s children) and as professional photographers, you definitely want to make sure you get a good mixture. The camera and lenses you pack should be dictated by your shooting style, location limitations, and clients needs. If your shooting style is close crop portraits, you might not want to pack many wide-angle lenses, but rather more telephoto lenses. But don’t forget about location limitations such as available shooting space. Some places, because of the setup, you can’t stand very far back from your subject(s), so If you only have a working distances of 4-feet, packing a 70-200mm with an 8-feet minimum focusing distance will not be helpful. Lately, it’s popular (even trendy) to photograph at large apertures of f/2.8 or wider for the creamy bokeh, but if your clients select a specific place for its backdrops or elements, you definitely want to include those into your shots and f/2.8 isn’t going to give a sense of place in a photograph. Prior to the family portrait session, I did some online research on the venue using Flickr, a great resource for virtual scouting, but it definitely doesn’t replace physically scouting your location. So I packed my Canon EOS 1Ds Mark II with my Canon EOS 1D Mark II as backup (very important to always have a backup) and two lenses: the Canon EF 24-70mm f/2.8L USM (24-70mm vs. 24-105mm debate) and the Canon EF 70-200mm f/2.8L IS USM. I chose the 24-70mm because I knew I was going to have a large group to photograph and they wanted scenes of Montalvo included in the pictures, so the wide-angle zoom is very versatile in this situation. I brought along the 70-200mm as a backup lens and because long telephoto lenses is very flattering for subjects when it comes to portraits, but ended up not using it, but important to have a back-up lens. I packed a number of Speedlites with Quantum Turbo battery packs and light stands as my style is to shoot with artificial lights, even on bright sunny days, for the lighting control. I did pack a Lastolite 8-in-1 TriFlip diffuser/reflector as those always comes in handy. For most of the shoot, my aperture was never lower than f/8 for depth-of-field and shutter speed was around the 1/100th to 1/250th, depending on how much exposure I wanted on the background. ISO was around 100-400. I like to travel as light as possible when doing family portraits to move around quickly and not disturb the flow by having your subjects wait idly.

Bui Photography is a group of professional lifestyle wedding photographers in the San Francisco & Bay Area who create compelling, artistic and timeless wedding photos for brides and groom. Let’s meet for some coffee and let us show you the beautiful photos we can create on your wedding day. Also be sure to check-out our Facebook page for specials and upcoming events. You can also find the latest on our Twitter page and definitely follow our RSS feed to see our latest photoshoots.

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